Review Hannibal 310 See How Magnificent You Are

A review written with the book Red Dragon by Thomas Harris in the hand, ethical knowledge in the head and an illegal internet source giving the eyeful.

***

You would, after being swallowed whole, and digested by Team Hannibal, think you got a clue what they like. Wrong, It it pitchdark in their intestines and although they drink cocktails with Debussy music in the background, I fear I am going mental. What was the case? After postponing to write review 309, I managed to finish it and went straight into watching 310 and within another day 311. Try say anything sane after that.

Episode 309 I found not evenly balanced, only the Dolarhyde scenes were up there. Episode 310 to me as outsider was finally from beginning to end entertaining and the minor storylines were understandable. And to compare it, episode 311 was even more jawdropping. But back to 310.

While I was about to watch episode 310 I had to re-read the Dolarhyde chapters in the book. How easily little facts are overlooked. Still after two readings and this book covered in marking stickers, I was surprised and amazed what Team Hannibal wired into the show.

Online I read dislikes on the borrowing from other movies, but also joys of recognition. To me, the result of hussling bits from the Red Dragon book, was not as bad as how The Hobbit book was turned into three movies. I see what was done with the Hannibal script and while I missed clues, explanations and introductions in the previous Red Dragon episodes, this episode was insanely well balanced, even more in 311. What was showed, was going back and forth. What I liked was that one thing unfolds into another. Plus that background matters just as much as the drama.  This episode came up to steam, even in the mood. The storyline of Team Sassy Science was kept to a minimum.

'Only you would understand.'

Dolarhyde finally meets Hannibal in this episode. But is it in his mind or for real? Is it a fan fantasy of 'D' - as he is called by Reba McClane later on - having a meaningful conversation, even getting recognized in motives and even getting counselled by Hannibal? Before that we see him making preparations of relaying phonewires in a switchboard, wearing a SureTalkTelecom shirt, as if he was a phone comp guy.

In another scene D takes Reba to the Zoo where he arranged a meeting with a tiger for her. The blind Reba touches the tiger while D is observing her. In the show Reba touches the softness of the tiger's ear and 'mouth of the beast' with the sharp tooth. In the book, it was the private parts region. D has never seen that in real life before. Sorry, my sensors say I should watch my language. Then Reba makes the cocktails at D's home and as they get more comfortable on the bench to very comfortable in grandmother's bedroom, I was thinking I was watching an American soft porn sequence from the seventies. That could be not far off of the intention in the book which was published in 1981. In the heat of the moment, Reba transforms into a 'woman clothed in sun'. The sequence ends with a tear in the eye of the love depraved man, described as shy by Hannibal.

In the night, Reba is sleeping and D is awake as if he has realised the effects of a change. He picks up her hand and caresses it over his most dehumanising part of his face, his cleft palate. In doing so, he allows her to touch his face, something she had asked for in the previous episode. That moment was a mixture of acceptance and control, because she, being blind and asleep, could not sense the control over the conditions of the acceptance of her request.
The morning-after, D finds out that the bed is empty. He searches the house, first going to the attic where he did his flexing and then finds Reba downstairs already dressed. She wants to go home.

D also has his bad side. Hannibal analyses the murder on the Jacobi family with Will Graham. Also the Mah-jongg sign of the Red Dragon and the William Drake references get explained. Cue the interior of the Brooklyn museum. Funny thing, in the book and on the website it is mentioned when the museum is closed on a particular weekday for the public, yet researchers are allowed. So in this episode this was mentioned by a museum worker to Dolarhyde. A classic buildup, seventies-style, followed. D slams the museum worker to sniff, stroke and eat the William Drake painting. Meanwhile Will Graham has arrived at the museum, also for this painting. They clash, of course, but D escapes, for sure.

'This is not an unfair review.'

Watching Hannibal causes unwanted side effects. For instance, when I tried to get the hang of Dolarhyde's motives, my question on a RA FB fanpage 'Why he didn't have another go AND film it himself?' almost breached their rules. Yet I was only doing a 'Bryan Fuller', doing everything to please the sensors. To him spitters are quitters.

Quote of the week

Hannibal: So what are you becoming?

Dolarhyde: 'The. Great. Red. Dragooooon!'

Eyeful: romantic moments between D and Reba
Heartfelt: D caressing his cleft palate with Reba's hand
Best: the scene where Dolarhyde meets Hannibal and how it is visually portrayed.
Worst; there is no worst, only Wurst and deep throating.
OHHH: 'Actually I think of them as unfair reviews.' I hope D approves my review.
The devil is in the details clever: SureTalkTelecom shirt worn by D, counsel room, double D
Art: either a flash of a Hieronimus Bosch or a Pieter Breughel painting. 'Hannibal says: 'Before Dante one did not spoke of the gates of hell, but of the mouth of hell. My year of damnation began when I was swallowed by the beast.' Beautiful background music by Debussy.
Disturbing: not in this episode. D throws Will Graham against the wall and knocks a museum worker
Hot: go to the zoo with D and find out if you are a woman clothed with sun
Hope: Dolarhyde and Reba make love tapes for each other
Verdict: watch this on a Chinon Pacific movie projector

Hannibal Review Ep 309 Ride With Me... For My Pleasure

A review written with the book Red Dragon by Thomas Harris in the hand, ethical knowledge in the head and an illegal internet source giving the eyeful.

As RA follower I am new to the Hannibal series and being no fan of the horror genre, this is the second episode of the Red Dragon story I was so lucky to watch early on. Trust me, I am smiling.
It is no fastfood-formulaic show like Crimescene. It is not about solving a crime within the episode. Team Hannibal serves this show as if it was an exquisite dish for insiders.
I feel like I am on the plate, undergoing the rite of passage of being eaten as an Ortolan, refrase Hannibal Hermitage garden bird. As one of the tiny birds - captured alive, force-fed, then drowned in Armagnac, refrase Armitage - I felt roasted whole and eaten that way, bones and all, while the diners - Team Hannibal - draped their sardonic smiling heads with a linen napkin to preserve the precious aromas and, some believe, to hide from God. (Paraphrasing quote from The Wine Spectator).

The tableaus morte - definately not vivant - I do not intend to be a part of. Dishing Hannibal's character with some girl who he talks into committing a murderous act left a bad taste in my mouth. The female newsreporter had peppered moralities for Will Graham on the murder site which brought much needed balance back into this episode. Cat-and-mouse play in dialogues can come across as clever, but also tiresome. The third and following storylines were not always helpful getting to know the show, so for me it was hard to follow the who's and what's.

Then the main story for the episodes that I am following is the Red Dragon storyline. So happy to conclude with my narrow focus on RA's scenes, that those scenes were the most dramatic. What a great subtle expressions and verbal nuances were given in the Francis Dolarhyde and Reba McClane scenes!

This episode was about getting closer to Francis Dolarhyde. To get to know him more. Does he accept a touch? No, but a blind woman softens him to accept a prum, coffee and pie. Dolarhyde does not want you to know. Do not ask too many questions. Do not mention speach impairment. And why did he have to interact with people? News bites on him in the Tattle Crime, are they telling the truth on the mass-murderer or are they shallow assumptions from profilers? Hannibal speaks of the Tooth Fairy like he is a naïve, incompetent pupil.

Link to this issue Tattle Crime

Similar to watching this show I read the book Red Dragon by Thomas Harris, which was the basis for this show. This book, the Red Dragon episodes and the spoiler vids of upcoming episodes spark more personal thoughts on the background of Dolarhyde than this frame of review allows me to. While I was writing this post I found it mentally hard to write these personal thoughts in. To compare every Dolarhyde scene with the scenes in the episodes would feel like hard work too. It is more like I kinda know Dolarhyde. I compare him to the lonesome, eccentric characters I witnessed in my life. But does that mean they automatically are psychopaths? No not in the least. The animal killings in Dolarhyde's youth in the book and other minor valued, yet disturbing offences, do definetely point to psychopath. 'Revenge is a dish best served cold' is written on Dolarhyde's toothbrush.

Biting poster at busstop where Dolarhyde picks up Reba McClane.

Quote of the week:

Trust me, I'm smiling.

Eyeful: kinda hard, because it was Dolarhyde in dark environments, yet tense and s-speaking
Prop: newspaper Tattle Crime, red plume, red pie, knifes left and center
Don't get: why it is not the Red Dragon show
Disturbing: this episode asked less vomiting of its viewers
Flashbacks: Will Graham on the phone with his wife as if he sits on the bed with her
Clever: Reba McClane waiting at a busstop while Dolarhyde picks her up with a van and we see the poster in the busstop, implying she is up to no good destiny.
Best scene: the ink-licking scene plus the whole sequence of scenes with Dolarhyde and Reba McClane, but best one is the kitchen table talk scene with the physical hesitations of Dolarhyde.
Hope: Dolarhyde likes Reba
Verdict: fingerlicking hesitating

Images: Hannibal, Tattle Crime, poster via Bryan Fuller

Review Hannibal 308 Give Red Dragon A Hug

A review written with the book Red Dragon by Thomas Harris in the hand, ethical knowledge in the head and an illegal internet source giving the eyeful.

***

The screen brings violence back where it belongs - in the home, according to Alfred Hitchcock, late filmmaker of horror movies. As a volunteer in theatre, witnessing a lot of onstage domestic quarrels - scarsely brutal violence - and as random TV and film watcher - too much violence, I say it is better to vent anger elsewhere or otherwise, like physical in acting or sports, or mental in storytelling, by analysing and exposing the mechanism of violence.

As nature would have it there are souls out there who take violent acts as an example of how to be more violent. Hannibal and Will Graham, the two murderous leads even impose others. Newbie Francis Dolarhyde is a fan of Hannibal. Reading the book, which was first published in 1981, I wondered where it all went wrong. The book drops news bits through dialogue and discription. The TV series does it with visual eyefuls and in different order. Yet the characters are what they are.
Of Hannibal it says he is a intelligent, evoking psychopath who is locked up for life, yet stabs eyes out in an unforseen moment. Will Graham is a similar soul and both have conversations on thought provoking murder investigations. Francis Dolarhyde is described as a curious loner, who has a facial disformation - a cleft lip - and childhood traumas. Now Francis Dolarhyde also collects newspaper clippings of  'Tooth Fairy' in a scrapbook....

The TV series presents Dolarhyde in moving images. Moving in two meanings. Emotionally touching, because his face is badly misformed and he is by himself. Moving, not speaking. He works on his body. Flexing to gain strength. Gets himself a tattoo and scary dentures. Makes impaired vocal noises with dentures in. He distroys the mirror, because he can not bare to face his image. Apparently he either wants to change his current state of existing or he has given in to his urges. He sits reading a newspaper, crawing his hands. The images only paint the mood of these moments. Whatever he does, it is extraordinary. It all looks so heartbreaking. Best to run from him we learn when Will Graham enters the brutal murder scene of the 'Tooth Fairy'.

Most clues were given in images. Aesthetic, clever visuals which could be explained best by someone who knows their history of film finesses. The moon references caught my attention. Hitchcock-style cinematography repeats of hidden themes. Three times the camera zoomed out forming one thing into the next, such a flashlight into a big white round - moon. A visual gem for a Fannibal. Later on it was said that Dolarhyde murders on full moon nights. A real breathtaking gem was when Will Graham was at the murder site and the camera panned round him to get the background - forming two wings of red dreads - in place. New meaning to the 'Great Becoming of the Red Dragon'. The best scene was not when Dolarhyde was flexing in his attic. No the best scene was the projector fight scene. It went from Dolarhyde watching film on his projector. He then gets mental and fights the material, getting film around his head, then stands still, beaming light from his eyes and mouth. Becoming the projector!?

Hold on, I have seen this one before. 

Yep got it.

The crux of the matter is that Dolarhyde is played by a handsome actor - he disagrees - who was damaged by prosthetics professionals. So the acting tragedy must be underneath the broken image. The internal story was so heartbreakingly on display, that next clipping of Tooth Fairy will thus be 'Fannibals are Armitaged.'

Dolarhyde searching for his contact lenses.

*** 

Quote of the week

More like a dog-like croon of the single vowel between O and U

Eyeful: Dolarhyde flexing. I know RA looks gorgeous! Still to see him like that after his comments on a clip of him sporting Speedos in a infamous Canadian chat show, I never thought he would repeat it - albeit in a better dressed shorts.
Prop: scary dentures
Don't get: why he is so messed up
Disturbing: the abundance of blood in the murder scene with explicit details.
Wanted to see more of: Dolarhyde's nakedness in frosty moonlight
Flashbacks: Hannibal having comfortable chats in cell vs. Italy
Clever: references in visuals: three moons, Graham in red dreads as wings of Red Dragon, overlay of images on crime scene when flashlight shines on it and in shadow, showing the corpses and the police markings as visual remnants of the crime scene
Best scene: the projector fight scene. I have seen similar image before. Other inside jokes from the horror genre were spotted so I was told, but then I am not into that, although I liked Twin Peaks.
Hope: Dolarhyde finds love. Poor him, pre-internet days in this Hannibal universe.
Verdict: empathy, not sympathy for Dolarhyde

Images: Hannibal promotional pictures, screencaps, monster 

Previously On 'We Are Scared'

The things I read! RA Family, erm, Fandom is waiting for you, Francis!
(The stutter-typo was intentional, Mat told me).

Previously on 'We Are Scared', a new TV adaptation based on my Twitter Timeline.

RA Fandom

SCARED that we get to see our favourite actor doing the horrendous acts as written in the Red Dragon book by Thomas Harris.

SCARED by seeing previous episodes by Hannibal, or in my case, the bloody yet artsy displays of corpses in murder scenes-loving tweets by Team Hannibal: @DeLaurentiis, @neoprod, @BryanFuller, @lorettaramos, @HannibalRoom, @NBCHannibal and I count in @Tattle_Crime.

SCARED by prematurely, massively claiming to reject watching Hannibal, even if RA is in it.

Team Hannibal First Moon

SCARED that RA fandom would butt out, Team Hannibal went into twitter silence after the first promotion and announced a new promotion round starting ep 308, of the Red Dragon introduction.

SCARED that RA fandom would not love them, Team Hannibal at least knew they would get flower crowns from Fannibals at the SDCC.

SCARED from losing the right to make further seasons on Hannibal and claiming worldwide support of Fannibals, the preview clip on Dolarhyde was showed at SDCC and premiered later that day on the area restricted nbc. com website (!). (Due to kind forces, it got put on YT).

Francis Dolarhyde

SCARED that Dolarhyde could not become a Dragon, he does the flexing on his attic and gets a tattoo.

RA Fandom

SCARED that the preview clip gets pulled from internet, we make art, caps and gifs.

SCARED that we would miss out on anything tasty, we tweet during the hashtag war hours of Team Hannibal.

SCARED that we will not see the episode, some among us went the illegal route on internet.

SCARED that we would spill blood, we arranged silent Butoh dancing sessions.

Team Hannibal Second Moon

SCARED that the RA Fandom would not watch during US broadcasting, Team Hannibal tweeted even more pics of a sweaty, flexing Dolarhyde, and....  killed the RA fandom.

***

Fanart made by Mat Khal on FB, idea mine, sort of. (I said: 'Do something with newspaper.')

The Crucible Cartoons

John Proctor and Abigail's situation in nowadays nutshell.

(I vibe Proctor/RA as schoolteacher).

About time I put my Crucible gems, posted first on Facebook and Twitter, on my blog.

These cartoons are made by Mat Khal which I met on FB, ideas are mine.

Dreaming of Olivier Awards.

(Finally, the odd photoshoot explained).

Mere mortals hoping to be read. 

(His facial expressions inspired me).

Anyone fancy to watch a reenactment of their domestic quarrels in theatre?

(Indoors, Old Vic allowed liquor in plastic cups).

There is a Fourth Wall that devides people in theatre. ;)

(Real inspiration will be revealed further in this post).

The 'doodle' I've made so Mat could understand my idea: 

the egotistical hyper awareness of the fleeting 'being in the room'.

(It is as simple as that).

This doodle I tweeted to RA's twitter account as a Thank You note, 

coming from the perspective of a humble audience member. 

Foremost, it was a mentional reply to Kevin Spacey's tweet 

as the departing artistic director of the Old Vic Theatre.

About a week later I was surprised - for coincidental reasons - when a charity tweeted RA's doodle. Remarkable, since he hasn't auctioned or published a doodle in years.

Yes, very egotistical of me to think there is any connection. Like the ripples in the water...

Anyway, after five years of flaw-inspired blogging I am still in the room.

Now that's creepy.

The Crucible On Screen Confessions

Proctor: "It is Winter on your blog."

 

 

The Crucible theatre play, filmed version, seen in Amsterdam, 4th Febr. 2015

 

Being one of the Lucky ones having seen The Crucible play live in July 2014 in an old theatre, named Old Vic in London, I since then pledged on my blog and Twitter for a DVD release. Luckily enough, later in the run the play got filmed by Digital Theatre, who used 8 HD cameras in-the-round to film up-close the intense, horrible descent of its main cast. So I went to see it on film.

A good moment to compare impressions.

 

However, before the film started, there was critique in the room. "All that wooden acting of Dutch actors!" The classy lady in her 70s next to me demonstrated that by exclaiming them: "One of them goes 'Brah, brah, brah' and then the other also goes 'Brah, brah, brah!' Only the acting likes of Gijs Scholten van Aschat is bearable. And then they come on stage in their underpants, with one of them scratching his crotch. Like the Dutch audience is conservative!"

That was a whole different sound that what I heard at the Old Vic this Summer by a 30s classy woman a couple of seats next to me: "You've had a good view on Richard, haven't you?"

 

Confessions

 

Main confession: I was proud for Richard's achievement. I was proud to see him play live as main lead to carry this production. That might have looked as drooling, but there were Lucky reasons I feel are best not to share why I was there.

Other confession: my fear that every theatre play I'd see next would be bland, was unfounded.

Best confession: I had goosebumps during the filmed version.

Bonus confession: when Richard wept at the table in the live play I wondered when I saw his back choking if he was pretending, because I couldn't see his facial expression. Then he turned around. Simultaniously I quickly raised my hand from my lap to cover any facial signs of disbelief and noticed my arm was really heavy. Then I saw the snot hanging from his nose onto his beard, and I felt my hand uncontrollably trembling against my cheek. He stepped a bit out of the situation, held back by a man (?), but managed to glance at a section of the audience - in where I sat. I was wondering if he felt his dual consciousness at that moment and would show a glitch of bravoure, because of it. He saw me with big eyes and a trembling hand and I could see his mental 'Oh' before he in a more demure state, turned around further, back into the scene. Wisely this was not put in the film. In interviews he thanked Yaël Farber to 'go there'. He managed to repeat it, because I found only three witness reports covering other performance dates. Almost saying: what happens in theatre, stays in theatre, so I can't mention anything dangling...

Richard really whipped the adoring as well as critical audience with his acting.

 Thank you Richard for your aimed stare at the beginning and the end smile at the applause. :)

 

Boring Comparison Notes

 

Close-ups. It was good to see all the facial expressions up close. I discovered red edges and dark circles underneath Parris' eyes. It was better seen than in the half-lid theatre at second row. But after some time of seeing only close-ups, mainly in the first part, I wondered where every actor stood on stage. After the first part this got better. Watching actors react or blending into the ensemble is just as interesting as them getting the focus. Lucky to have seen Richard striding by barefoot, I couldn't help but wondering if his trained hammer toes were actually a secret tought by his former acting school LAMDA to help stay balanced at all times. Unfortunately, no close-ups of his giant army-style boots and his short hair which were my comfort zones to stare at in the theatre.

No smells. No burned herbs in filmed version, which was very dominant - and unique.

No deep noise. The theatre had a score that made one's organs tremble - very fitting. Unfortunately this cinema room had no Dolby Atmos. I've read that it was filmed (!) with it. The actors wore head microphones. Once in a while the resonances of voices in the theatre could be heard which brought some of the atmosphere back.

Stage directions. Because I've seen this play only one time, the film was a great way to bring memories back. Yet, almost in every scene I was doubting my memory, mostly for Proctor's character: he was doing this instead of that. Like the Whip scene. I can't remember Proctor's wife being in the room. The Whip scene was edited faster than what it felt like.

English subtitles. Although there were native English people in the cinema, I was glad the film had subtitles in this old English accent so I could rest my eyes on a word that was very important or unfamiliair to my ears.

Language. It was old style English, which made me wish to learn it for party gatherings.

Humour. While during the run of the stage play, sometimes there was a comment online saying that it was a serious play, so why where audiences so rude to laugh at certain points? Explanation: this was a heavy subject, so after a solid and breathtaking intro, those were written in to untie any clasped buttocks! People at the filmed version laughted evenly with recorded audiences, even more so with little, individual smirks, and by help of the subtitles.

No glances into the audience. I was in the Lucky zone and the filmed version makes you sober up.

No leaflets, posters or programmes. Depending on the cinema, but this cinema had no TC promotion.

Upping the antes. This play had a lot of shouting actors. I feared Richard may loose his voice, but he said in interviews he got vocal training during the run. In the filmed version I can't say he was hoarse. The girls in the ensemble had to do the most wicked movements and shoutings, and combined with the horrible dilemmas in the storylines, it got more and more intense.

Themes. The first time I saw TC, I focussed on different themes than when I saw the filmed version. 

Adultery theme. While I was glad to not get to see a glorified 'middle-aged man John Proctor getting away with his affair with underaged girl Abigail', the outcome of the play was too gruesome to witness. While I said before that Abigail acted evil, JP was also not a saint.

Jurisdiction theme. Without a good jurisdictional system you are delivered to the Gods

(or to the hounds). People working in jurisdiction should see this play.

Some old man I overheard at my physio, said: "You have a democratic right when you vote, after that you have no democratic right. (Then the people in power decide for you)."

Religion theme. You believe you belong to the right club and do the right thing... 

Yet somehow Life gets in the way. We're not Quakers here yet.

Man-as-hero theme: A man wants to be a hero in his life. When he fails, he has to learn to deal with it in his life. If not, he can become confused. Then he dies.  

 

End Notes

 

At the end of the film, at 23hr45, a part of the audience applaused and the lady who sat next to me, said: "It's a shame, it is quite bad. People dare not look their existential fear in the eyes. That's why they invent a God where they can all blame it onto. So they don't have to face their existential fear. And Life already is as short as it is. So they invent a God. This will continue for ever. I hope I am not bothering you with this?" I said: "No, on the contrary, I find it very enlightening." Particularly, because I found her reaction very in line with how I assumed Arthur Miller would have explained it. Meanwhile, we are on this Earth together.

 

It is not a theme in TC play, but the uncertainty of women striked me. It hounds fandoms. Had I at first the eery thought that Richard picked this play implying to impose a moral lesson on adoration for his followers, this time I felt very comfortable in my seat.

The ignorance, accusations and commanding power out of jealousy and uncertainty is tragic indeed and causes unnecessary rifts in communities.

Come to think of it, the men in this play were uncertain as well.

 

After the film, I had the words of the elder woman ringing in my ears when I walked to the tram stop to go to CS station. Then I pondered on how women could break this uncertaincy spell.

At 23hr50 the tram came at the tram stop were I was waiting.  

A young woman with a piercing in her underlip, wearing colored sneakers stepped in with me and was on the phone.

"No, I have had enough of you. I break up with you. I end this call now. Good night."

After my glance, she looked at me: "Yes, that sounds harsh, but it had to be done."

I elbowed her and said: "Congratulations." 



But First, Into The Storm

Japanese poster

 

 

Seen in 2D with Dolby Atmos sound

 

A little week after release date in Holland, I went to see Into The Storm movie. It's only now that I write a post about it. I am dealing with a personal storm right now, which is as big as I make it in my mind. Yet a storm can release fresh energy, so maybe if I bow with the wind, I won't break.

 

Originally I wanted to see this movie in an IMAX cinema, but this wasn't a 3D movie plus someone recommended a brand new cinema in my surroundings with Dolby Atmos sound. That makes you tremble in your seat and you hear it going around you thanks to a lot of loud speakers. The visual quality wasn't IMAX, so I know where to go watch the third Hobbit movie.

 

Beforehand I followed the online 'teases' of producer Todd Garner on Twitter (six steps of separation) and ReAlistic fanbanter on blogs and Twitter. I have to hand it to Todd, protegé of Avatar director James Cameron, in keeping the costs low, from 100 million dollar to 50 million and smartly negotiating and dealing with not only one, but four special effects houses, to spread the risks and safe time by having each of them design one tornado or as he likes to put it 'monsters' in the movie. By the way, 'protegé' makes me think of a student, but Todd is a pro (see his article here).

 

First off, I was seated facing top of the screen, having to look down, which didn't add to my mood.

Moreover, I was lucky to have seen Richard play in The Crucible among a fitting ensemble in an intense gloomy mood for three and half hours. I am spoiled rotten for years. Thus my first conclusion after watching Into The Storm was that I felt pity for those who haven't seen The Crucible and thought RA played well in this movie. Told you, I am spoiled rotten for years.

 

The acting all around was entertaining and the family affairs were very sticky American, yet I felt the scenes could do with some background here and there say by adding a clip of mum from the past saying things on video in the scenes of the video assignment or why not let Gary have that quarrel with the head principal when the kids are on the parking lot talking about his quarrels with the head principal. In one of the promotion interviews or articles there was a mention by RA that this movie had to portray the moment of 'now'. Dear people of the film industry, with a few minutes extra this movie would have gained more depth. 'Who's gonna pay for that?', are they groaning behind Hollywood hills... This movie was expected to become a 'little sleeper' but it opened really well on the Chinese market. Ca-tching!

 

What really drove this movie was the ungoing threat and attacks of tornado's. Especially the rumbling of the approaching storm and the annoyingly loud sirenes made me clam to my seat. The visual effects were very convincing and when the scenes showed scatterings of real debris, it was a substantial mess. Tornado storms could become more immense and unpredictable in the near future.

 

There was talk on Twitter by the writer that a British script consultant was flown in, to add changes to the script for which he was 'thankful'. It could have been to add more dynamic between Gary and the weather scientist, which was suggested by RA, but I could be wrong. One fan in this RA blogworld received a script of the earlier version, which had ondergone substantial changes, compared with the finalised movie.

 

Before I found the comedic goofs hanging in the trees,

I had to say goodbye to my liking of RA's former Nose, to which he replied:
"Hey, I am having breakfast now, OK? Not Now!".

It's good to be with your loved ones, whatever the forecast...
 

 

 ****